This project is rooted in chance, a recurring element in my practice. I often collaborate with living organisms and natural phenomena, but here the focus shifts to the fragile materiality of analogue photography—its chemical, liquid processes—and our layered relationship to time, memory, and disappearance. A domestic flood recently plunged my archive into decay, turning it into a site of sedimentation: residues accumulating, surfaces eroding, histories sinking and resurfacing.